Type Of Work
- Exhibition Catalogue Essay
http://www.idaia.com.au/en/galleries/institutional-exhibitions/vivid-memories-gallery-exhibition/
The link above is the exhibition itself
http://aboriginalartandculture.wordpress.com/2013/12/01/vivid-histories-living-memories-2/
This site informs of Jones work and link to UOW
VIVID MEMORIES: AN ABORIGINAL ART HISTORY
Curated by Paul Matharan (Curator of Non-European Collections, Musée d’Aquitaine) and Arnaud Morvan (Anthropologist, Laboratoire d’Anthropologie sociale, Paris), the show adopts a broad historical and artistic spectrum by exploring the History of Australian Indigenous Art in its relationship to the ancient and the modern, the old and the new.
The exhibition combines traditional works (including ceremonial objects and artefacts) and contemporary artworks, aiming at understanding the transformations and dynamics of this artistic tradition dating back to more than 40,000 years ago, and which is at the origin of numerous contemporary art movements in Australia.
The scientific committee of the exhibition is composed of Barbara Glowczewski, Ian Mc Lean, Jessica de Largy Heally, Lyndon Ormond-Parker and Arnaud Morvan.
http://www.idaia.com.au/en/galleries/institutional-exhibitions/vivid-memories-gallery-exhibition/
The link above is the exhibition itself
http://aboriginalartandculture.wordpress.com/2013/12/01/vivid-histories-living-memories-2/
This site informs of Jones work and link to UOW
VIVID MEMORIES: AN ABORIGINAL ART HISTORY
Curated by Paul Matharan (Curator of Non-European Collections, Musée d’Aquitaine) and Arnaud Morvan (Anthropologist, Laboratoire d’Anthropologie sociale, Paris), the show adopts a broad historical and artistic spectrum by exploring the History of Australian Indigenous Art in its relationship to the ancient and the modern, the old and the new.
The exhibition combines traditional works (including ceremonial objects and artefacts) and contemporary artworks, aiming at understanding the transformations and dynamics of this artistic tradition dating back to more than 40,000 years ago, and which is at the origin of numerous contemporary art movements in Australia.
The scientific committee of the exhibition is composed of Barbara Glowczewski, Ian Mc Lean, Jessica de Largy Heally, Lyndon Ormond-Parker and Arnaud Morvan.