As is clear from the terms in which the citation above is couched, Sigmund
Freud’s 1906 study, Delusions and Dreams in Jensen’s “Gradiva,” is in
part concerned with directness, proximity, and distance. Although certain
“expedients and substitutes” are an irreducible part of the doctor’s
method, his task is nonetheless to reduce the dimension of distance and
detour as far as possible: he is to “approximate” a certain immediacy,
modeled by Gradiva. To indicate the relation between mediation and
immediacy, however, Freud writes, would “take us much too far away
from the task before us.” In this paper, I intend to follow up, not “the
task before us,” but rather the very detour that Freud cuts off—to proceed
along the lines that he indicates but does not follow in the passage
cited, in order to end up “much too far away” from the immediate task.
That is, I will not privilege immediacy and proximity over distance and
detour; rather, I will examine the relation between the two, by analyzing
the technical structures of mediation that enable (an approximation to)
immediacy in Gradiva.