Abstract
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This reading of David Foster’s Sons of the Rumour focuses on its
frame story, a reworking of the frame story of One Thousand and
One Nights. It provides an overview of the impact of One
Thousand and One Nights on world literature and goes on to
analyse how Foster reimagines One Thousand and One Nights in
order to illustrate humanity’s struggle between the spiritual and
the material world. Foster constructs a parallel dilemma for Al
Morrisey, a secular Australian Jew, and the Shah, a Persian Muslim.
Differences between them favours Al’s secularism over the Shah’s
Islamic faith, and tends to harden and exaggerate stereotypes,
following a typical Orientalist pattern by recreating the structure
of One Thousand and One Nights for a Western understanding of
and taste for Orientalist material.