Yecies, Brian

Overview

Originally from Arizona, Dr. Yecies has over 20 years’ experience teaching and researching Asia’s transnational film and digital media industries and cultural policy. He has links with a range of organizations, practitioners and academics, and is committed to cooperative learning and research. He is the author of the books: Korea’s Occupied Cinemas, 1893-1948 (2011), and The Changing Face of Korean Cinema, 1960-2015 (2016) — both with Ae-Gyung Shim. He is also a chief investigator on the 2017-19 Australian Research Council Discovery Project ‘Digital China: From Cultural Presence to Innovative Nation’.

International collaborations supported by research grants from the Korea Foundation, Australia–Korea Foundation, Academy of Korean Studies and Asia Research Fund have facilitated the publication of numerous book chapters, including: Willing Collaborators: Refashioning Content for the Chinese Media Market (forthcoming); Reconceptualising Film Policies (2017); The Handbook of China’s Cultural and Creative Industries (2016); Reviews on the International Cultural Markets (2016, Beijing Capital University of Economics and Business); Film Marketing into the Twenty-First Century (2015); and Creative Media in China (2014, China Social Sciences Academic Press).

Dr. Yecies was a chief investigator on the 2014 ARC DP ‘Willing collaborators: Negotiating Change in East Asian Media Production’; 2015 UoW Global Challenges initiative ‘Creative Responses to the Broadband-Empowered Digital Economy: Modelling Innovation in Korea’; and 2016 Council for Australian–Arab Relations study ‘Networking Women Entrepreneurs in Sydney and Dubai’

Top Publications

Year	Title
2017	Korean-Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road Published in Global Media and China
2016	East Asian audio-visual collaboration and the global expansion of Chinese media Published in Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2016	Mining Chinese social media UGC: a big‑data framework for analyzing Douban movie reviews Published in Journal of Big Data
2016	The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema Published in The International Journal of Cultural Policy
2016	The changing face of Korean Cinema: 1960 to 2015
2011	Contemporary Korean Cinema: Challenges and the Transformation of ‘Planet Hallyuwood’ Published in Acta Koreana
2011	Digital intermediary: Korean transnational cinema Published in Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	In search of the Korean digital wave Published in Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	Korea's Occupied Cinemas, 1893-1948

Research Areas

Research Overview

Brian's research interests include: contemporary Asian film genres and industry trends; the history of Hollywood in Asia; the coming of sound (1893-1937) to Austral-Asia; film and cultural policy in colonial Korea; the digital wave in China and South Korea’s cultural industries.

Geographic Focus

Asia Continent
Australia, Aotearoa New Zealand, and the Asia Pacific Continent
China Continent
South Korea Country

Available as Research Supervisor

Selected Publications

Journal Article

Year	Title
2020	Cultural intermediation and the basis of trust among webtoon and webnovel communities Published In Information Communication and Society
2020	Korean webtoons and collective innovation: expanding Europe's creative industries through competitive localization Published In Innovation: the European Journal of Social Science Research
2019	Characteristics of Chinese Online Movie Reviews and Opinion Leadership Identification Published In International Journal of Human-Computer Interaction
2019	Global transcreators and the extension of the Korean webtoon IP-engine Published In Media Culture and Society
2019	The cultural power metric: Toward a reputational analysis of China’s soft power in the Asia-Pacific Published In Global Media and China
2017	Korean-Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road Published In Global Media and China
2016	East Asian audio-visual collaboration and the global expansion of Chinese media Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2016	Film Pioneer Lee Man-hee and the Creation of a Contemporary Korean Cinema Legend Published In Korea Journal
2016	Mining Chinese social media UGC: a big‑data framework for analyzing Douban movie reviews Published In Journal of Big Data
2016	The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema Published In The International Journal of Cultural Policy
2016	The Douban online social media barometer and the Chinese reception of Korean popular culture flows Published In Participations: journal of audience and reception studies
2016	The role of hegemonic masculinity and Hollywood in the New Korea Published In Masculinities and Social Change
2016	Transnational collaboration of the multisensory kind: exploiting Korean 4D cinema in China Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2015	Korean cinema’s female writers–directors and the “Hegemony of Men” Published In Gender, Equal Opportunities, Research
2015	‘Masking madness with gaiety’: innovating sound exhibition in Australia and the royal commission’s failure to prevent the talkie wars Published In Studies in Australasian Cinema
2014	The Korean “Cinema of Assimilation” and the Construction of Cultural Hegemony in the Final Years of Japanese Rule Published In Asia-Pacific Journal: Japan Focus
2012	Asian interchange: Korean–Hong Kong co-productions of the 1960s Published In Journal of Japanese and Korean Cinema
2012	Power of the Korean film producer: Dictator Park Chung Hee’s forgotten film cartel of the 1960s golden decade and its legacy Published In Asia-Pacific Journal: Japan Focus
2011	Behind the scenes of Hallyu down under Published In Australia Korea: 50 Years of Friendship
2011	Contemporary Korean Cinema: Challenges and the Transformation of ‘Planet Hallyuwood’ Published In Acta Koreana
2011	Digital intermediary: Korean transnational cinema Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	In search of the Korean digital wave Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	Somewhere Between Anti-Heroism and Pantomime: Song Kang-ho and the Uncanny Face of the Korean Cinema Published In Acta Koreana
2010	Cinematic hooks for Korean studies: using the ‘Apache’ framework for inspiring students about Korea in and through film Published In International Review of Korean Studies
2010	Cultural flows beneath death note: catching the wave of popular Japanese culture in China Published In Asia-Pacific Journal: Japan Focus
2010	Disarming Japan’s cannons with Hollywood’s cameras: cinema in Korea under U.S. occupation, 1945-1948 Published In Asia-Pacific Journal: Japan Focus
2008	Planet Hallyuwood's Political Vulnerabilities: Censuring the Expression of Satire in The President's Last Bang (2005) Published In International Review of Korean Studies
2008	Sounds of Celluloid Dreams: Coming of the Talkies to Cinema in Colonial Korea Published In Korea Journal
2007	Hallyuwood Down Under: The New Korean Cinema and Australia, 1996-2007 Published In Screening the Past
2007	Parleying Culture against Trade: Hollywood's Affairs with Korea's Screen Quotas Published In Korea Observer

Book

Year	Title
2016	The changing face of Korean Cinema: 1960 to 2015 Publisher United Kingdom
2011	Korea's Occupied Cinemas, 1893-1948 Publisher New York

Chapter

Year	Title
2019	Chinese Transcreators, Webtoons and the Korean Digital Wave Published In Digital Transactions in Asia: Economic, Informational, and Social Exchanges Publisher London
2019	Docu-reality and Empathy in Bloodless (2017) A Manifesto for Transnational Virtual Reality Cinema Published In Asia-Pacific Film Co-productions: Theory, Industry and Aesthetics Publisher New York, NY
2019	South Korea's creative industry markets: Looking beyond 2020 to a rising creative economy Published In Routledge Handbook of Cultural and Creative Industries in Asia Publisher United States
2019	Sweet Dream (1936) and the Transformation of Cinema in Colonial Korea Published In Rediscovering Korean Cinema Publisher Ann Arbor
2019	The paradox of opinion leadership and recommendation culture in Chinese online movie reviews Published In Big data recommender systems: Recent trends and advances Publisher London
2018	Cultural Exports, Creative Strategies and Collaborations in the Mainland Chinese Market Published In Asian Cultural Flows: Creative Industries, Cultural Policies, and Media Consumers Publisher Singapore
2018	Dreaming of Webtoons in China and the Next Korean Wave Published In Willing Collaborators Foreign Partners in Chinese Media Publisher London
2018	Korean Film Industry before Reform: between 2016 and 2018 Published In Global Film Industry Development Report Publisher Beijing
2018	Producing Nuanced Chinese Fantasy: A Case Study of Stephen Chow's Box Office Hit Mermaid Published In Willing Collaborators Foreign Partners in Chinese Media Publisher London
2017	Informal Collaborations and Formal Agreements: Chinese-Korean Film Encounters Published In Reconceptualising Film Policies (Routledge Studies in Media and Cultural Industries) Publisher New York
2017	South Korea’s International Culture Markets and the Rise of a New Creative Economy Published In 2017 Report on International Cultural Markets Publisher Beijing, China
2016	Chinese transnational cinema and the collaborative tilt toward South Korea Published In The Handbook of Cultural and Creative Industries in China Publisher United Kingdom
2015	Film and the representation of ideas in Korea during and after Japanese occupation, 1940-1948 Published In Japan as the Occupier and the Occupied Publisher United Kingdom
2015	Korea Published In Women Screenwriters: An International Guide Publisher United Kingdom
2015	Marketing bait (2012) using SMART data to identify e-guanxi among china’s ‘Internet Aborigines’ Published In Film Marketing into the Twenty-First Century Publisher London United Kingdom
2014	Chinese International Film Encounters: Closing the Gaps with Hollywood with Soft Power Appeal at Home and Abroad (中国电影与韩国的国际碰撞-中国电影通过软实力追赶好莱坞) Published In Creative Media, Part One Publisher Beijing
2013	Sounds of celluloid dreams: coming of the talkies to cinema in colonial Korea Published In Critical Readings on the Colonial Period of Korea 1910-1945 (vol 2 - Section 3: Culture) Publisher United Kingdom
2010	Inroads for cultural traffic: breeding Korea’s cinematiger Published In Complicated Currents: Media Flows, Soft Power and East Asia Publisher Clayton, Victoria
2009	Sejong Park's 'Birthday Boy' and Korean-Australian Encounters Published In Diasporas of Australian cinema Publisher Bristol, UK
2007	Strategies for sharing the ReMoTe: changing the nature of online collaboration Published In Flexible Learning in an Information Society Publisher Pennsylvania, USA
2007	Talking Salvation for the Silent Majority: Projecting New Possibilities of Modernity in the Australian Cinema, 1929-1933 Published In Talking and Listening in the Age of Modernity: Essays on the History of Sound Publisher Canberra

Conference Paper

Year	Title
2019	Metamorphic Relations for Data Validation: A Case Study of Translated Text Messages Published In IEEE/ACM 4th International Workshop on Metamorphic Testing (MET 2019)
2018	Online opinion leadership in China's digital army: Proposals for an empirical study of Douban Published In ACM International Conference Proceeding Series
2011	Anesthesia and Memory Rejuvenation: False Catharsis in the Korean Thriller Film Mother (2009) Published In POPCAANZ 2nd Annual International Conference
2010	New Detective Methods for Researching History of Cinema and Media Culture in Korea, 1893-1948 Published In 10th Pacific-Asia Conference on Korean Studies (PACKS)
2009	Linking internationalisation to the new graduate qualities Published In ILTAS Symposium
2009	What the Boomerang Misses: Pursuing International Film Co-production Treaties and Strategies Published In Korean Studies Association of Australasia Biennial Conference
2007	Post-burden or new burden Korean cinema?: outside looking in at the latest Golden Age, 1996-? Published In Enlightening Korea: Converging or Diverging? Proceedings of the 5th Biannual KSAA Conference

Investigator On

Year	Title
2013 - 2017	Willing collaborators: Negotiating Change in East Asian Media Production Awarded by: Australian Research Council (ARC) Funding Scheme: Discovery Projects
2015	Networking Digital Productivity and Entrepreneurship in Sydney and Dubai: Women, Innovation Hubs and Strategies for Success Awarded by: Australian Government Funding Scheme: Council for Australian-Arab Relations
2011	Transforming Korean cinema: creative and cultural dynamics of the golden decades of the 1960s and 2000s Awarded by: Korea Foundation Funding Scheme: Fellowship
2010	Showcasing past, present and future links between the Australian and Korean film industries Awarded by: Australia-Korea Foundation Funding Scheme: Grant
2008	Korean Cinema Challenges: Transformation of Planet Hallyuwood in a Post-Golden Age Awarded by: Korea Foundation Funding Scheme: Grant
	Digital China: from cultural presence to innovative nation Awarded by: Australian Research Council (ARC) Funding Scheme: Discovery Projects
	Mobile Webtoons: Creative Innovation in a New Digital Economy Awarded by: Australian Research Council (ARC) Funding Scheme: Discovery Projects

Available as Research Supervisor

Potential Supervision Topics

- Transnational and Diasporic Film and Media Industries
- Digital Cultures and Digital Disruption
- Media and Cultural Policy
- Social Media and Audience Research
- Practice-based Cinema and Media Research
- International Film and Digital Media Co-production and Collaboration

Advisees

Graduate Advising Relationship

Degree	Research Title	Advisee
Doctor of Philosophy	Saudi-Arab archetypes in video game narratives and visual styles and their impacts on user experience
Doctor of Philosophy	International Film Collaboration and the Impact on Creative Logistical Decision-Making Policies and technology context: A Case Study of Australia, Europe and China
Doctor of Philosophy	Virtual Reality and the New Cinema: Exploring Diversity Across Narrative, Aesthetics and Technology	Buckmaster, Luke
Doctor of Philosophy (Integrated)	China's Television Streaming Platform Giants and the Transnational Value of Popular Genre Series, 2016-2020	Wang, Frank
Doctor of Philosophy	Independent Fictional Web Series: Navigating New Pathways in an Era of Digital Content Saturation	Haudos de Possesse, Sarah
Doctor of Philosophy	Credibility in Social Media: Visual Culture Study of Vbloggers as Key Opinion Leaders and Celebrities.	Tsang, Gabriel

Top Publications

Year	Title
2017	Korean-Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road Published in Global Media and China
2016	East Asian audio-visual collaboration and the global expansion of Chinese media Published in Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2016	Mining Chinese social media UGC: a big‑data framework for analyzing Douban movie reviews Published in Journal of Big Data
2016	The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema Published in The International Journal of Cultural Policy
2016	The changing face of Korean Cinema: 1960 to 2015
2011	Contemporary Korean Cinema: Challenges and the Transformation of ‘Planet Hallyuwood’ Published in Acta Koreana
2011	Digital intermediary: Korean transnational cinema Published in Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	In search of the Korean digital wave Published in Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	Korea's Occupied Cinemas, 1893-1948

Research Areas

Research Overview

Brian's research interests include: contemporary Asian film genres and industry trends; the history of Hollywood in Asia; the coming of sound (1893-1937) to Austral-Asia; film and cultural policy in colonial Korea; the digital wave in China and South Korea’s cultural industries.

Geographic Focus

Asia Continent
Australia, Aotearoa New Zealand, and the Asia Pacific Continent
China Continent
South Korea Country

Selected Publications

Journal Article

Year	Title
2020	Cultural intermediation and the basis of trust among webtoon and webnovel communities Published In Information Communication and Society
2020	Korean webtoons and collective innovation: expanding Europe's creative industries through competitive localization Published In Innovation: the European Journal of Social Science Research
2019	Characteristics of Chinese Online Movie Reviews and Opinion Leadership Identification Published In International Journal of Human-Computer Interaction
2019	Global transcreators and the extension of the Korean webtoon IP-engine Published In Media Culture and Society
2019	The cultural power metric: Toward a reputational analysis of China’s soft power in the Asia-Pacific Published In Global Media and China
2017	Korean-Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road Published In Global Media and China
2016	East Asian audio-visual collaboration and the global expansion of Chinese media Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2016	Film Pioneer Lee Man-hee and the Creation of a Contemporary Korean Cinema Legend Published In Korea Journal
2016	Mining Chinese social media UGC: a big‑data framework for analyzing Douban movie reviews Published In Journal of Big Data
2016	The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema Published In The International Journal of Cultural Policy
2016	The Douban online social media barometer and the Chinese reception of Korean popular culture flows Published In Participations: journal of audience and reception studies
2016	The role of hegemonic masculinity and Hollywood in the New Korea Published In Masculinities and Social Change
2016	Transnational collaboration of the multisensory kind: exploiting Korean 4D cinema in China Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2015	Korean cinema’s female writers–directors and the “Hegemony of Men” Published In Gender, Equal Opportunities, Research
2015	‘Masking madness with gaiety’: innovating sound exhibition in Australia and the royal commission’s failure to prevent the talkie wars Published In Studies in Australasian Cinema
2014	The Korean “Cinema of Assimilation” and the Construction of Cultural Hegemony in the Final Years of Japanese Rule Published In Asia-Pacific Journal: Japan Focus
2012	Asian interchange: Korean–Hong Kong co-productions of the 1960s Published In Journal of Japanese and Korean Cinema
2012	Power of the Korean film producer: Dictator Park Chung Hee’s forgotten film cartel of the 1960s golden decade and its legacy Published In Asia-Pacific Journal: Japan Focus
2011	Behind the scenes of Hallyu down under Published In Australia Korea: 50 Years of Friendship
2011	Contemporary Korean Cinema: Challenges and the Transformation of ‘Planet Hallyuwood’ Published In Acta Koreana
2011	Digital intermediary: Korean transnational cinema Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	In search of the Korean digital wave Published In Media International Australia Incorporating Culture and Policy: quarterly journal of media research and resources
2011	Somewhere Between Anti-Heroism and Pantomime: Song Kang-ho and the Uncanny Face of the Korean Cinema Published In Acta Koreana
2010	Cinematic hooks for Korean studies: using the ‘Apache’ framework for inspiring students about Korea in and through film Published In International Review of Korean Studies
2010	Cultural flows beneath death note: catching the wave of popular Japanese culture in China Published In Asia-Pacific Journal: Japan Focus
2010	Disarming Japan’s cannons with Hollywood’s cameras: cinema in Korea under U.S. occupation, 1945-1948 Published In Asia-Pacific Journal: Japan Focus
2008	Planet Hallyuwood's Political Vulnerabilities: Censuring the Expression of Satire in The President's Last Bang (2005) Published In International Review of Korean Studies
2008	Sounds of Celluloid Dreams: Coming of the Talkies to Cinema in Colonial Korea Published In Korea Journal
2007	Hallyuwood Down Under: The New Korean Cinema and Australia, 1996-2007 Published In Screening the Past
2007	Parleying Culture against Trade: Hollywood's Affairs with Korea's Screen Quotas Published In Korea Observer

Book

Year	Title
2016	The changing face of Korean Cinema: 1960 to 2015 Publisher United Kingdom
2011	Korea's Occupied Cinemas, 1893-1948 Publisher New York

Chapter

Year	Title
2019	Chinese Transcreators, Webtoons and the Korean Digital Wave Published In Digital Transactions in Asia: Economic, Informational, and Social Exchanges Publisher London
2019	Docu-reality and Empathy in Bloodless (2017) A Manifesto for Transnational Virtual Reality Cinema Published In Asia-Pacific Film Co-productions: Theory, Industry and Aesthetics Publisher New York, NY
2019	South Korea's creative industry markets: Looking beyond 2020 to a rising creative economy Published In Routledge Handbook of Cultural and Creative Industries in Asia Publisher United States
2019	Sweet Dream (1936) and the Transformation of Cinema in Colonial Korea Published In Rediscovering Korean Cinema Publisher Ann Arbor
2019	The paradox of opinion leadership and recommendation culture in Chinese online movie reviews Published In Big data recommender systems: Recent trends and advances Publisher London
2018	Cultural Exports, Creative Strategies and Collaborations in the Mainland Chinese Market Published In Asian Cultural Flows: Creative Industries, Cultural Policies, and Media Consumers Publisher Singapore
2018	Dreaming of Webtoons in China and the Next Korean Wave Published In Willing Collaborators Foreign Partners in Chinese Media Publisher London
2018	Korean Film Industry before Reform: between 2016 and 2018 Published In Global Film Industry Development Report Publisher Beijing
2018	Producing Nuanced Chinese Fantasy: A Case Study of Stephen Chow's Box Office Hit Mermaid Published In Willing Collaborators Foreign Partners in Chinese Media Publisher London
2017	Informal Collaborations and Formal Agreements: Chinese-Korean Film Encounters Published In Reconceptualising Film Policies (Routledge Studies in Media and Cultural Industries) Publisher New York
2017	South Korea’s International Culture Markets and the Rise of a New Creative Economy Published In 2017 Report on International Cultural Markets Publisher Beijing, China
2016	Chinese transnational cinema and the collaborative tilt toward South Korea Published In The Handbook of Cultural and Creative Industries in China Publisher United Kingdom
2015	Film and the representation of ideas in Korea during and after Japanese occupation, 1940-1948 Published In Japan as the Occupier and the Occupied Publisher United Kingdom
2015	Korea Published In Women Screenwriters: An International Guide Publisher United Kingdom
2015	Marketing bait (2012) using SMART data to identify e-guanxi among china’s ‘Internet Aborigines’ Published In Film Marketing into the Twenty-First Century Publisher London United Kingdom
2014	Chinese International Film Encounters: Closing the Gaps with Hollywood with Soft Power Appeal at Home and Abroad (中国电影与韩国的国际碰撞-中国电影通过软实力追赶好莱坞) Published In Creative Media, Part One Publisher Beijing
2013	Sounds of celluloid dreams: coming of the talkies to cinema in colonial Korea Published In Critical Readings on the Colonial Period of Korea 1910-1945 (vol 2 - Section 3: Culture) Publisher United Kingdom
2010	Inroads for cultural traffic: breeding Korea’s cinematiger Published In Complicated Currents: Media Flows, Soft Power and East Asia Publisher Clayton, Victoria
2009	Sejong Park's 'Birthday Boy' and Korean-Australian Encounters Published In Diasporas of Australian cinema Publisher Bristol, UK
2007	Strategies for sharing the ReMoTe: changing the nature of online collaboration Published In Flexible Learning in an Information Society Publisher Pennsylvania, USA
2007	Talking Salvation for the Silent Majority: Projecting New Possibilities of Modernity in the Australian Cinema, 1929-1933 Published In Talking and Listening in the Age of Modernity: Essays on the History of Sound Publisher Canberra

Conference Paper

Year	Title
2019	Metamorphic Relations for Data Validation: A Case Study of Translated Text Messages Published In IEEE/ACM 4th International Workshop on Metamorphic Testing (MET 2019)
2018	Online opinion leadership in China's digital army: Proposals for an empirical study of Douban Published In ACM International Conference Proceeding Series
2011	Anesthesia and Memory Rejuvenation: False Catharsis in the Korean Thriller Film Mother (2009) Published In POPCAANZ 2nd Annual International Conference
2010	New Detective Methods for Researching History of Cinema and Media Culture in Korea, 1893-1948 Published In 10th Pacific-Asia Conference on Korean Studies (PACKS)
2009	Linking internationalisation to the new graduate qualities Published In ILTAS Symposium
2009	What the Boomerang Misses: Pursuing International Film Co-production Treaties and Strategies Published In Korean Studies Association of Australasia Biennial Conference
2007	Post-burden or new burden Korean cinema?: outside looking in at the latest Golden Age, 1996-? Published In Enlightening Korea: Converging or Diverging? Proceedings of the 5th Biannual KSAA Conference

Investigator On

Year	Title
2013 - 2017	Willing collaborators: Negotiating Change in East Asian Media Production Awarded by: Australian Research Council (ARC) Funding Scheme: Discovery Projects
2015	Networking Digital Productivity and Entrepreneurship in Sydney and Dubai: Women, Innovation Hubs and Strategies for Success Awarded by: Australian Government Funding Scheme: Council for Australian-Arab Relations
2011	Transforming Korean cinema: creative and cultural dynamics of the golden decades of the 1960s and 2000s Awarded by: Korea Foundation Funding Scheme: Fellowship
2010	Showcasing past, present and future links between the Australian and Korean film industries Awarded by: Australia-Korea Foundation Funding Scheme: Grant
2008	Korean Cinema Challenges: Transformation of Planet Hallyuwood in a Post-Golden Age Awarded by: Korea Foundation Funding Scheme: Grant
	Digital China: from cultural presence to innovative nation Awarded by: Australian Research Council (ARC) Funding Scheme: Discovery Projects
	Mobile Webtoons: Creative Innovation in a New Digital Economy Awarded by: Australian Research Council (ARC) Funding Scheme: Discovery Projects

Potential Supervision Topics

- Transnational and Diasporic Film and Media Industries
- Digital Cultures and Digital Disruption
- Media and Cultural Policy
- Social Media and Audience Research
- Practice-based Cinema and Media Research
- International Film and Digital Media Co-production and Collaboration

Advisees

Graduate Advising Relationship

Degree	Research Title	Advisee
Doctor of Philosophy	Saudi-Arab archetypes in video game narratives and visual styles and their impacts on user experience
Doctor of Philosophy	International Film Collaboration and the Impact on Creative Logistical Decision-Making Policies and technology context: A Case Study of Australia, Europe and China
Doctor of Philosophy	Virtual Reality and the New Cinema: Exploring Diversity Across Narrative, Aesthetics and Technology	Buckmaster, Luke
Doctor of Philosophy (Integrated)	China's Television Streaming Platform Giants and the Transnational Value of Popular Genre Series, 2016-2020	Wang, Frank
Doctor of Philosophy	Independent Fictional Web Series: Navigating New Pathways in an Era of Digital Content Saturation	Haudos de Possesse, Sarah
Doctor of Philosophy	Credibility in Social Media: Visual Culture Study of Vbloggers as Key Opinion Leaders and Celebrities.	Tsang, Gabriel

Orcid Id

http://orcid.org/0000-0001-9296-6651 (confirmed)

Web Of Science Researcher Id

P-4928-2016

Scopus Id

16242974200

Overview

Overview

Top Publications

Research Areas

Research Overview

Geographic Focus

Available as Research Supervisor

Publications

Selected Publications

Journal Article

Book

Chapter

Conference Paper

Funding

Investigator On

Supervision

Available as Research Supervisor

Potential Supervision Topics

Advisees

Graduate Advising Relationship

Identity

Orcid Id

Web Of Science Researcher Id

Scopus Id

Overview

Top Publications

Research Areas

Research Overview

Geographic Focus

Publications

Selected Publications

Journal Article

Book

Chapter

Conference Paper

Funding

Investigator On

Supervision

Potential Supervision Topics

Advisees

Graduate Advising Relationship

Identity

Orcid Id

Web Of Science Researcher Id

Scopus Id

Visualisations

Research Areas

Geographic Focus